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Objectives:
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To build upon the pre-writing work done in Workshop Two and reinforce the
concepts of Criteria, Reasons and Evidence (C-R-E charts)
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To build upon the drafting work begun in Workshop Three and reinforce the
qualities of good body paragraphs (especially Unity and Development)
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To develop revision skills
Materials:
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Overhead projector
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The students’ Criteria-Reasons-Evidence (CRE) charts for their self-chosen
essay topics, reproduced on transparencies
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Drafts of the students’ complete evaluation essays, reproduced on transparencies
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A copy of the “Body Paragraph Checklist” (See
Example) for each student and one copy on overhead transparency
Preparation:
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Prior to this workshop, and with the assistance of the classroom teacher(s),
students have drafted evaluation essays.3
Procedure:
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Collect the transparencies of the students’ charts and essays. Be
sure to keep each student’s chart with his or her essay.
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Put the “Body Paragraph Checklist” on the overhead projector and briefly
review the criteria for good paragraph development (See
Workshop Two).
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Put the words “unity” and “development” on the chalkboard.
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Select one student’s chart and place it on the overhead projector.
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Pointing to the “Criteria” and “Reason” columns, remind the students that
the ideas in these two columns will lead to the formation of each paragraph’s
topic sentence. Referring to the word “unity” on the chalkboard,
explain that a clear topic sentence is essential to a paragraph’s unity.
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Pointing to the “Evidence” column, remind the students that the ideas in
this column will lead to the development of each paragraph. Referring
to the word “development” on the chalkboard, explain that sufficient, specific
evidence is essential to a paragraph’s full development.
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Briefly talk through the entries on the student’s chart, pausing to commend
clear reasons and rich and vivid detail.
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Place the same student’s draft on the overhead projector.
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You may wish to skip the introduction or only briefly read through it to
the class to establish the essay’s evaluation topic. 4
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Distribute the copies of the “Body Paragraph Checklist” to the students.
Tell them that they will use this checklist to make suggestions for revision
of the students’ drafts.
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Read through the first body paragraph of the first student’s essay.
Commend several features of the paragraph.
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Reread the first sentence and ask the students to refer to the first question
under “Unity” on the Body Paragraph Checklist. Elicit suggestions
regarding the topic sentence from the students and then make your own suggestions.
You can either make brief markings on the transparency or suggest that
the writer make mental or written notes for future revision.
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Repeat this procedure for the second question under “Unity” on the Body
Paragraph Checklist.
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Reread the body of the paragraph and ask the students to refer to the first
question under “Development” on the “Body Paragraph Checklist.”
Again, elicit suggestions regarding the topic sentence from the students
and then make your own suggestions. You can either make brief markings
on the transparency or suggest that the writer make mental or written notes
for future revision.
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Repeat this procedure for the second question under “Development” on the
“Body Paragraph Checklist.”
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If there is an obvious connection between the student’s first body paragraph
and a row on the CRE chart, you may wish to make references back to the
chart. However, if the draft is quite different than the pre-writing,
this may not be possible.
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In the interest of time, you may wish to review one body paragraph per
student before continuing through each essay.
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Depending on the amount of time you have and the skill level of the students,
you may wish to point to good examples of transitions between paragraphs
on the student essays or make suggestions for transitions. Explain
to students that transitions are part of the “fine tuning” they will want
to attend to later in the revision process to “polish” their final drafts.
Body Paragraph
Checklist
Unity:
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Is the main point of the essay stated clearly in the topic sentence? |
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Does all of the information relate to the topic sentence? |
Development:
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Is the paragraph developed with enough specific evidence or detail
to be convincing? |
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Is the paragraph developed with the right kind of specific evidence
or detail to be convincing? |
3 If the class has not had very much experience
in peer revision, you may wish to review the students' work anonymously.
4 If you conduct the workshops in the sequence
presented in this document, you may wish to use these essay introductions
during Workshop Five: Essay Introductions.
Introduction / Workshop
1 / Workshop 2 / Workshop
3 / Workshop 4 / Workshop
5 /
Workshop 6 / Workshop
7 / Workshop 8 / Workshop
9 / Workshop 10 / Credits
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